Essay on Lies and Self-realization in A Dolls House -- Dolls House es

Lies and Self-realization in A madams Ho function In Ibsens play, A Dolls sign, the characters willingly exist in a mail of guile or inadequate truth that conceals conflict. zero(prenominal)as independent nature is in contradiction to the tyrannical authority of Torvald. This conflict is concealed by the way they some(prenominal) hide their true selves from society, each other, and ultimately themselves. Just like Nora and Torvald, every(prenominal) character in this play is trapped in a situation of untruth. A Dolls House, can be misinterpreted as simply an blow on the religious values of Ibsens society. While this is certainly an important medical prognosis of the play, it is non, however, Ibsens main organise. A Dolls House established a method Ibsen would use to convey his views about individuality and the pursuit of social freedom. The characters of A Dolls House display Henrik Ibsens belief that although people have a natural craving for freedom, they often do not act upon this desire until a person or event forces them to do so. Readers can be quick to point out that Noras change was gradual and marked by several incidents. A more critical look reveals these gradual changes are actually not changes at all, but small revelations for the reader to see Noras true independent nature. These incidents also allow the reader to see this nature has been tucked removed under a facade of a happy and simple wife. In the first act, she admits to Christine that she will dance and dress up and play the dissipate to keep Torvald happy (Ibsen). This was Ibsens way of telling the reader Nora had a hole-and-corner(a) personality that was more serious and controlling. He wants the reader to realize that Nora was not the fool she allows herself to be seen as. ... ...in A Dolls House is the importance of the individual and the lookup for self-realization. Works Cited Brunsdale, Mitzi. Herik Ibsen. Critical Survey of Drama. Ed. Frank N. Magill. Englewo od Cliffs, NJ Salem nip 1986. pg982. Clurman, Harold. Ibsen. Macmillan, 1977, pg223. Rpt. in Twentieth-Century Literary Criticism. Ed. Sharon K. Hall. Vol. 8. Detroit Gale, 1982. pg154. Heiberg, Hans. 1967. Ibsen. A Portrait of the Artist. Coral Gables, Florida University of Miami. Ibsen, Henrik. A Dolls House. Perrines Literature. Forth Worth Harcourt Brace College Publishers, 1998. pp. 967-1023 Shaw, Bernard. A Dolls House Again. The Saturday Review, London, Vol. 83, No. 2168, May 15, 1897 539-541. Rpt. in Twentieth-Century Literary Criticism. Ed. Sharon K. Hall. Vol. 8. Detroit Gale, 1982. pg.143.